There is also much homophonic music of course, but if the extract you hear is polyphonic and not dissonant, the chances are it will be Baroque. Texture – the Baroque is the main period for polyphonic textures. However, there is often a continuous flow in Baroque music, with repeated patterns and sequences, and with phrases and cadences merging seamlessly into one another. the themes you are most likely to know from Vivaldi’s ubiquitous ‘Four Seasons’). Melody and Phrasing – phrase structures can be very clear (e.g. There are many types of Baroque expression, ranging from busily flowing movements deriving from dance forms to grandly religious works. Baroque c.1600 – 1750 Main Composers: Bach, Handel, Scarlatti, Vivaldiīaroque music can be relatively serious and complex, but its surface is often enlivened by plenty of decoration and ornamentation. But reading this article should prepare you sufficiently for the musical ingredients likely to be highlighted in these Associated Board exams. It must be stressed that the characteristics for each period as outlined below are only general, as there is plenty of variety in the music of all eras. ![]() When it’s someone else’s turn, the other voices sing subsidiary material. Imagine 2 or 3 voices, each of which has a turn to sing the melody. Polyphonic: literally ‘multi-voiced’, so that each line is independent and equally important. Homophonic: essentially a melody with accompaniment Conversely, full chords including deep bass notes evidently produce a heavier, richer texture.Īs for the patterns, there are two very important words with which you can impress the examiner: For example a simple melodic line with an accompaniment that doesn’t go much below middle C could be described as a ‘light’ texture. Texture – just as an item of clothing can be heavy or light, plain or patterned, texture in music defines how much is going on (heavy or light) and what the patterns are. Such music can be described as dissonant (see the Twentieth Century section below). In the last hundred years or so composers have used new combinations of notes and chords, which may at first sound strange to the listener. if chords outside the scale are widely used, the term is chromatic. ![]() white notes only within a C major framework), it is called diatonic
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